Friday, October 9, 2015

A Texas Detour on the Road to a Theory of Blacks in Film


Right now, speaking as a black person in this country, in this time of sorrow and of grief—may Sandra Bland rest in peace. 

My biggest concern is not the police who worry BlackLivesMatter and for good reason—for me, it’s mostly about the movies. This worry is not keeping me awake at night but does concern me as much as the actions of the Texas Highway Patrol. The worst the cops can do is kill you but Hollywood can dehumanize you or stereotype you. And then the real cops shoot you because they’ve seen the same movie. That’s what the screenplay calls for and who is a mere cop-on-the-street to question such a well-regarded script? 
             Or the very, very worse, you get a bad actor to portray you or people "like you" or bad actors to portray your tribe, whatever tribe that may be. Mao said that power comes out of the barrel of a gun but it also comes out of a camera lens, a different kind of power certainly but just as uncontestable and final. The issue for me is that the very strength of film, the ability to encapsulate life or something approaching life in a gripping and effortless way, unlike reading where you have to pay attention and turn the page, in a movie theater you can just sit there and have your imagination highjacked. Not to be critical. But that's precisely what makes the medium so dangerous. 

 If you think this is shaping up as some kind of rant about a particular movie or star, it’s not. There are a few candidates out there, it seems to me, a lot of really bad movies being made, practically anything with Adam Sandler for example, but that’s not why we’re here. It’s more the role of critics to tell you which is a bad film or not. My opinion is offered solely as an average viewer and with a sole caveat, a moviegoer who is African American. Nor is this about what’s going on behind the camera, which is an issue of current concern because of the recent ill-chosen comments of a certain Caucasian male Hollywood A-lister, who seems clueless about racism in his own industry. You may say, well, who is behind the camera is intricately tied to who appears in front of it and that’s true. But as scientists write in learned papers, that is beyond the scope of our work here. Besides that’s something that will have to be explained by someone who knows the industry, someone who knows the ins and outs of filmmaking, how to position the casting couch so to speak, as opposed to who lies down on it which is what concerns us here. Again, my cinematic opinions are expressed purely as an average moviegoer, a consumer of the final cut who is African American, the cinematic version of the “man in the street” who we used to talk about before the man in the street got a blog or social media and started speaking for himself. 

Mine is an inexpert opinion coming from someone who doesn’t know film but who knows black people and who has a certain consciousness and is worried by what he sees on the Big Screen. If you’re wondering if this is shaping up as some kind of revolutionary rant, it is.

There have been, it’s my thesis, having seen a lot of movies, old and new, as many of you have too, or more, it's my thesis that there have been only two eras of film for blacks in this country. “Pre-Dooley” and “Post-Dooley,” the former designated “B.D.,” for “Before Dooley” for simplification, because otherwise both will be “P.D.” and confuse the reader. The “D” stands for Dooley Wilson who played Sam the piano player to Humphrey Bogart’s Rick in Casablanca. Dooley Wilson like everyone else important was actually born in Texas, in some pinewoods pisspot near Tyler, wherever that is, may Allah be pleased never to send me there. It sounds like the kind of place that people are best known for leaving. 

Wilson got out as soon as he could, from Tyler and from Texas, as many black people did at that time, and never looked back. It’s worth mentioning the Lone Star State connection only because so often in modern history there is a connection to something that has happened or is happening south of the Red River and north of the Rio Grande. A link that others have commented on at length and that has been the subject of not a few news articles and screenplays, the worrisome “Texas connection.” Anyway, before Dooley, there were three sub-eras for blacks in American film, loosely speaking, represented by three movies or kinds of movies, the first being the blatantly racist Birth of a Nation and any of the blackface films or anything with Stepin Fetchit or a Stepin Fetchit-like character, and the Mammy portrayals like Hattie McDaniel in Gone with the Wind, in which a middle-aged black woman utters folksy wisdom while working in a white woman's kitchen. These films or kinds of films were not accurate but were pretty consistent with the status of blacks in America of the time. GWTW might even have been considered progressive in race relations, at that time. McDaniel won a best supporting Oscar after all, basically for rolling her eyes and warning Miss Scarlet not to commit some kind of foolishness, if memory serves, but an Oscar nonetheless and McDaniel became a role model not for her role in the film but for her successful entrĂ©e into “the industry,” which was not automobiles or home furnishings or domestic service but making movies. The credit you have to give to Hattie McDaniel is despite her work in the film.
            The beautiful thing about films even today and especially for white actors and actresses is that bad movies cannot be held against good performers. It’s the Hollywood corollary of the idea that bad things happen to good people. You can be an actor walking down Sunset Boulevard, minding your own business and humming a Shakespearean soliloquy or just humming because many stars see themselves as singers too, when suddenly you get hit with a bad role. It's like lightning—you’re not to blame. Taking a bad role is usually about working in a very competitive industry where everyone wants to be and most actors usually want the work, even the good ones who may not need it, to hone their craft or keep it sharp, and they usually explain that they want to see what they can do with the role. There’s the paycheck that is often supersize. McDaniel got a paycheck and presumably a big one. Playing a maid in a white woman’s house in a film was certainly more lucrative than being a maid in a white woman’s house, which is the best that many black females had to look forward to, again at the time. 

Right on Mammy’s heels came Dooley Wilson as Rick’s sidekick, the wise world-weary piano-playing black man who loves and is loyal to Rick, which makes Bogie cool, if he wasn’t before, which he was. Because he can hang with Negroes and he’s not racist. That’s kind of my take on the action in Casablanca but it doesn’t really matter because the plot is incidental. Wilson is there as a totem more than an actor, yeah, a totem you could say, and nascent stereotypes are there too but they’re different from what came before, an improvement so to speak. Wilson’s mere appearance on camera in this kind of film was progress. The conceit of Casablanca which has become immortal, both the film and its motif, is the black guy or black girl who kind of has no life of his or her own but whose center of attention is focused on the white lead character and who serves as soulmate for the star, although they’re not fucking. That’s Sam in a nutshell. He has proved to be immortal. We still see him today by other names in other movies.

He’s spiritual too, that’s a big part of the package. Black people are always spiritual and know things that white people don’t and in Casablanca Sam knows that the sudden appearance of Ingrid Bergman is bad news for Rick and that’s what concerns Sam most, what’s good or bad for Rick. When Bogie is getting ready to split for the desert, or whatever, to join the Foreign Legion or whatever, he makes clear to the club’s new owner that Sam gets a piece of the action which is cool too, and new, groundbreaking, revolutionary in fact. Suddenly we’re making money in film and on film, a percentage of the action hitherto reserved for white people, a step up from Ms. McDaniel whose only apparent reward on screen was her love of that scatterbrained scheming white girl Scarlet O’Hara. But fuck that. Sam is not getting any horizontal rewards that we see or at least not any concrete affection from Ingrid Bergman who is Bogie’s love interest—and that’s where the storyline breaks down a little for me because most brothers of my acquaintance, feeling that a fine chick is not right for their best friend, for whatever reason, would make a move on her themselves. Especially anyone as fine as Ingrid Bergman. But this is Hollywood not the real world and Hollywood is a parallel universe to our own, a virtual world where some rules on Earth apply and others do not. 

That’s how Dooley Wilson changed our world for the better. He was still a stick figure but one who was making good money and getting significant screen time. He rolled his eyes once or twice but that’s cool too. He got to sing and play the piano on camera which many more liberated Negros even today might like to do. My theory is that we've been living in Dooley’s world ever since, certainly on camera but also to some extent on the streets of the U.S.A. Not because his role is so attractive to us still but because whites like it so much and they’re the ones who usually do the casting. They also write the checks. We’re in a Post-Dooley Era only because he’s dead. At best we’re living in a post-Post Dooley Era that sounds like more radical change than it really has been. Things have changed but haven’t changed much. White people still see us as sidekicks and want us to have suffered so that we can be spiritual for them and they want us to be discriminated against so they can show how open-minded and cool they are by hanging out with us. What Bogie did by instinct, today they do by design. Unless it's supposed to happen on film and we’re getting paid for it, in which case the script is a little old but depending on the paycheck we may still be up for the role. To hone our craft. There was a movie a few years ago where Tom Cruise played a hitman and Jamie Foxx played the taxi driver who chauffeurs him to his victims and it occurred to me how much more compelling Foxx’s role as the fearful taxista was than Cruise’s psychopathic killer. Foxx is from the Lone Star State too, btw, another presumed East Texas shithole, called Terrell, Terrell Texas, God-forbid, and he is a talented actor, also an Academy-Award winner: in a state enamored of Matthew McConaughey, almost to exclusion, it has nothing to do with race, you can be sure. Real reason is that McConaughey hangs out in Texas but Foxx split, like Dooley Wilson.

  Mostly as blacks in America and on film we’re still playing Dooley in some shape or form. 

  Even the great Denzel Washington. Not long ago he was in a spy flick (my genre) with Ryan Reynolds, and Denzel did the buddy-thing or a modified buddy thing because they weren’t real buds or anything but the ending was what you would expect in today's cinema, Denzel died for Ryan, so that Reynolds’ character would live, which is a plot twist that white people like in life and on film. And, you know, it seems to me that Reynolds is an okay actor but hardly in Washington’s league and the only thing that Ryan Reynolds has done of any real note is to marry Scarlet Johansson which does give him points in a guy’s world that his acting may not. There’s a parallel here to our parallel universe, actually. Very often white people somehow expect blacks to take a spear for them, metaphorically speaking, the way Denzel took a bullet for Reynolds, or take a lesser position or less pay because “that’s what it means to be black in this country.” While the white guy or white girl gets the hot girl or the hot guy and the big paycheck and gets to feel sympathy at our condition as black people in this country. Which makes your white friend empathetic or cool or whatever, on top of the higher salary. Does that sound familiar? If so, my thesis is that it’s because you’ve seen the movie. Probably multiple times. That movie has been made. Several times. We’re trying some fresh material here. And Caucasians always seem a little hurt because that’s the script they are used to. It’s all coming from the Big Screen, that’s my view. 

And it’s not just blacks for whom those same old lines are being written. Michael Pena is a very good young actor but he seems to be dying a lot recently so some white guy with less talent can live on. In Fury and in a cop movie with Jake Gyllenhaal, where Michael took a bullet for Jake. The question in many films is which characters live to see the final credits roll and as in other areas of white privilege those characters tend to be white. This is important because Hispanics run the very real risk of having Hollywood handle their narrative the same way Hollywood handled Native Americans. It’s starting to look that way. American Indians have had a rough time since the Plains Wars because people like John Ford, John Wayne and Gary Cooper took an early interest in “their story,” including depictions of alcohol, savagery and mayhem that was actually visited on them as much as they visited same on whites. Until Hollywood screenwriters stepped in and changed the storyline. If blacks are doing better today it’s only because the very conditions of our arrival in this country made us extremely suspicious of subsequent offers of employment from Caucasians, in Hollywood and elsewhere. You can’t be too trusting whether it’s when the state trooper asks you to step out of your car or a movie producer says he’s going to make a film about your experience. The latter may be more dangerous than the former. You hand your narrative to other people only at great risk, that’s my view too. 

A couple of years ago there was the completely forgettable Man on a Ledge with Australian hunk Sam Worthington, the film stands out in my memory only because the very white Kyra Sedwick played TV journalist Suzie Morales. C’mon now, they couldn’t find a Latina to play a Latina? 

How is that any different from blackface?

 Which raised a question that has been troubling me ever since. If Hollywood already has too many white actors, why are they importing more? This may sound mean-spirited but it’s not. We’re not talking about software engineers or nuclear physicists where there’s genuine scarcity, there’s no shortage of actors in this country. The fact of the matter is that most of the British actors are Caucasian and they are presumably not adding anything to the diversity mix on screen. Especially when they’re being hired to play Americans. Isn’t that like bringing coals to Newcastle? Ditto the new wave of Australian actors who seem to be everywhere at once. Margot Robbie and Sam Worthington are, respectively, a hot blond and a white hunk, which America already produces and who are already over-represented in film.

It’s not all bad news. For black stars specifically there have been a few iterations during the Post-Dooley Era, a Post-Dooley 2.0 and 3.0 and now a Post-Dooley 3.5. Starting in the ‘50s and ‘60s there were “good Negro” roles in which earnest young black actors, after great trials, ended up bonding with skeptical Caucasians on screen. It was supposed to show our common humanity, you know? The actor was usually Sidney Poitier or someone like Sidney Poitier. Of recent black actors, the most significant has been Will Smith, the self-described Mr. Box Office who has made a series of movies in which he portrays a black person. 

 As a matinee idol, as a black character conceived by whites, Smith was engineered inside out. He has the moves and mannerism, he has the look, he talks the talk—he has been, in some of his work, a white director’s view of what an edgy black person is like. Smith said once in an interview that he could have been elected president of the United States and he was probably right. For me, being African American does not mean seeking ideological purity in a darkened movie theater, exactly, but you don’t want to be embarrassed either. There’s a big ideological component to the arts that you can’t escape. Nor in this country, where minorities are still living something less than the American Dream, do we want to. 

My most controversial call as a viewer was deciding whether to see the hitman movie with Tom Cruise, in which Jamie Foxx was chauffeuring Cruise to his victims. The decision was justified only because Foxx killed Cruise’s character in the end. Not having seen The Help or Driving Miss Daisy doesn’t prevent me from criticizing these films. Remember this isn’t film criticism, it’s political criticism. Political protest, you could call it, "talking shit to the white man," others might say, ideally. There’s a reason why Stalin and Mao sent a lot of artists and writers to prison, or worse, for the sake of revolutionary change. When the revolution comes, if the revolution comes, you like to think that anyone involved with Driving Miss Daisy, especially whoever wrote the title, will get a blindfold but no last cigarette.

It’s not that art imitates life or life imitates art. It’s that they are one in the same. Life is art and art is life, especially at the movies. We need to pay as much attention to who Hollywood is casting as who the police are chasing. Too few of one and too many of the other still lead us in the wrong direction as a society. But that’s just my opinion as a moviegoer. 

And after all this venting, it’s time to chill: Goina go check out a movie at Redbox, something called Lila & Eve, it’s been described as a kind of Thelma and Louise for colored people, with Jennifer Lopez and Viola Davis, two of my favorite actresses. The ideological police still haven’t cleared the multi-talented Ms. Davis for accepting a role in The Help, a movie which (again, not actually having seen it, only because my high principles won’t allow me to) it’s my belief set back race relations in this country by a century, playing into white women’s wet dreams about their “special" relationships with their maids: the same way Casablanca did for guys, but without the same pretensions to innovative moviemaking. The thing is, Viola Davis’s mom was a maid and Viola was born on a former plantation in South Carolina, which is worse even than Texas, another one of those places black people are known for leaving on the first bus. She’s come a long way, baby, and as an African American you question her street cred only at great risk to your own.

Lila & Eve has a metacritic score of like 12 out of 100 but it’s only $1.62 a viewing. The film may be execrable but the casting is sublime.








Thursday, April 23, 2015

Rick Perry in the Cloud

           We have a fear of intellectuals in public life in Texas and Rick Perry has gone to great lengths to hide a keen and well-developed mind. He’s a smart guy. “He’s smarter than Bush,” said a high-ranking Democrat recently who dealt with both of the last two occupants of the Governor’s Mansion and while that may seem like faint praise, being smarter than the guy who managed the government response to Hurricane Katrina and who brought us the war in Iraq. It does mean Rick Perry is smart enough to be president. A case in point, illustrating his intelligence, has just occurred. He’s shown himself to be not only smart but also clever which can be something different altogether. 


Early last year according to Texas State Librarian Mark Smith, whose responsibilities include the State Archives, then-Gov. Perry’s office approached the State Library about the disposition of his papers after a record-shattering fourteen years in the Big House. You may think that gubernatorial papers or the papers of any politician who has left office are not a big deal but, much as Hillary Clinton learned regarding her missing email, government records can be serious business indeed. Especially in the Lone Star State. In the turbulent history of the former Republic a war was fought over government records and more recently the State Archives went through an ugly episode with W who walked away with his papers when he left for D.C. According to folks working in the State Archives at the time, George W. Bush’s General Counsel, future U.S. Attorney General Alberto Gonzales, told the state’s record keepers that President Bush considered the papers his personal property and acted accordingly. Unfortunately as with many of W’s other judgments this one also proved to be wrong—something Rick Perry knew when he approached the State Library about his own records. Because as Bush’s successor, he received the attorney general’s opinion that declared what state archivists knew all along: the papers of the governor, whoever that governor may be, belong to the State of Texas.

Liberals like to call Rick Perry an opportunist but that may be a misnomer in our long-term now ex-governor’s case. Not to be literary or anything, not to cite a book instead of a movie—the kind of allusion that makes Texans uncomfortable unless the book is the Bible. 

But in Gatsby the author described the hero as having “a heightened sensitivity to the promises of life” and that, not to be deep or anything, is Rick Perry’s history in office or offices. Better than his contemporaries he’s always seen what the possibilities are and reached for them. His extraordinary success reaching for the brass ring or the next rung of the ladder has led to more reaching still. He wears glasses today because it makes him look more studious to a national audience, sure—but also because he wants to see what’s available around him. Someone, another high-ranking Democrat who was once a Perry ally in the Texas House of Representatives, but not a fan, recalled the young representative wearing braces back in the day: he wanted a better bite but he also needed to smile more as he made a move to statewide office. A good metaphor for Perry’s time in office comes from his modest youth in Paint Creek where his parents were not affluent—and is completely fictional but nonetheless useful in understanding their son Rick. The boy is walking down Paint Creek’s main street and sees a dollar bill on the ground. Any kid, especially a poor kid—any of us in fact, child or adult—would instinctively bend over to pick the money up. The difference with young Rick, and why D’s like to call him an opportunist, is that Perry might also have looked around for the wallet it came from. That’s the “heightened sensitivity” to opportunity that has been the hallmark of Rick Perry’s career and is not opportunism at all. Nor is he to be condemned. It’s also what he’s done regarding the archives of his stay in the Office of the Governor. After all his time as our leader, many of us feel we “know” Rick Perry. Some of what follows cannot be proven beyond a shadow of a doubt but is very likely the case with the man whom we have learned to love or hate, as the case may be. 

So, like, he approached the Texas State Library and Archives Commission about his gubernatorial records. The decision was made to put them in the cloud, in a scanned or digital format instead of paper copies, hosted by a server instead of kept in cardboard boxes in a State of Texaas vault. Importantly in this case not a government-owned server at all but Amazon’s “government cloud” which will cost Texas taxpayers a few bucks but is considered safe and, most important in the context of this discussion, confidential. One of the Perry camp’s only reservations was that the servers not be located in a foreign country and that his national security-like deliberations and communications with the federal alphabet agencies remain secret. So far, so good. Speaking of location, Perry could have chosen to send his files to his alma mater Texas A&M but he seems to be reaching these days for a wider audience than Aggies. (He recently also declined to have a building named after him on the A&M campus.) The cloud, whether it belongs to Amazon or anyone else, actually plays to Perry’s strengths. He’s got presence and good looks. 

His records at last count are a couple of thousand square feet of paper in boxes and about 7 terabytes of data total (each terabyte is 1,000 gigabytes and is called, within the tech community, a “waffle” or a whole fuckin’ lotta data) and of the 7 about 6.5 are media like film, digitized photos, in other words Rick Perry standing tall, the cowboy from Paint Rock, and being photogenic. What’s not for an ex-governor to like? This piece of the Perry archive equation is completely legitimate—it’s the future, so we are told—something accessible on the web and including a lot of video. What’s more compelling, after all, an archive that includes a copy of a speech or one in which a visitor can push a button on a computer at home and watch it delivered? For practical purposes of course this could turn out to be like a 14-year-long movie starring Rick Perry with a cast of millions but how is that any different from what’s offered at LBJ’s tomb on the University of Texas campus, co-starring the North Vietnamese Army and Martin Luther King? 

Or the Bush repositories in Dallas and in College Station? The difference is mostly format—paper—versus film. According to Texas State Archivist Jelain Chubb within a year or two someone sitting at home will be able to push that button on the State Archives website and watch the Perry administration unfold or at least as it was recorded unfolding by his administration and chosen other sources. That’s good news for him because the timing may coincide, more or less, with a run for president, if he’s still a contender at that point. The issue as always is what’s in an archive and what isn’t. Ask Hillary Clinton. Papers get lost, data gets corrupted, computer scientists talk about GIGO—the principle that a computer’s output can be no better than its input but in the case of Rick Perry’s records we’re left with a probable different axiom, “NINO,” for nothing-in, nothing-out. Rick Perry’s people scanned and classified many documents before shipping them to the State Archives and Governor’s Office computers were “wiped in order to give the new administration a clean slate,” so we are told, and an unofficial presumption, knowing Rick Perry as we all do, not everything actually emerged in digital format or on paper from the Governor’s Office. Which is, by the way, a stone’s throw from the State Archives, on the east side of the Capitol. Some documentation may have gotten lost along the way. Oh well. Notes of meetings between the archives staff and the governor’s representatives show that early last year Perry’s people began deciding what would be archival and what would not, in other words his own people making the decision (with the help of the Governor Office’s software, named “Archie”) what would be turned over and what would not.

Ms. Chubb doesn't speak to that question directly, that’s not her job—what may or may not have been “lost” or not transferred in other words. Instead she answers a different but similar question: “Regardless of whether it’s the governor’s office or any office of state government,” said Chubb, who was previously state archivist in Ohio, “all the Archives has is . . . what we’ve been given,” and what officials attest to when they hand over records. She also says that neither an e-archive nor a paper record is intrinsically superior insofar as the issue is integrity of the information. Both formats have strengths and weaknesses. The issue is how to store data, in this case archival data and boxes of paper are apparently no longer the way to go. The State Data Center even with backups and redundancies built-in is not a useful option because its servers, pressed for space, will eventually have to compress the files, something you don't want to do to important documents. Unlike past administrations, a good deal of Perry’s record was born digital, in other words never existed in any other format and it makes no sense to convert it to hard copy now. There are a few indications that still raise one’s index of suspicion, however. 

Perry’s office was insistent that all matters regarding his papers be completely resolved before he left office and that no documents “from the Perry world,” as his aides put it, be left in the Greg Abbott world. “They will be sending Perry’s records to the Archives at the end of term regardless of whether it matches their schedule; Perry’s administration wants to control Perry’s papers and doesn’t want to leave anything to the next administration to transfer.” That comes from notes of the negotiations over the transfer. 

Governor Perry was also uncomfortable with outsiders scanning any of his docs and, in what may be a major admission, the governor’s clerks noted that the Texas Public Information Act doesn’t address “sensitive security information,” but Perry’s office believed he had that kind of material in his files, and will doubtless still receive exemptions on its release even though there's no legal exemption codified in state law. Otherwise, what Perry’s people did “classifying” may just have been good practice, like cleaning a house completely before moving out, deciding what to keep, what to leave and what to throw out. There could be other reasons as well. After 14 years we feel we know Rick Perry, the good, the bad and the expedient, and with all politicians that can sometimes include the dodgy. So, too, the state library commission that controls the Texas archives today is a different body than the one that stood up to Governor Bush. “We love this governor,” said a library commission member last year, speaking of Perry without a trace of irony. There also appears to be a fear factor involving any discussion of the still-powerful former Big Man of the state. Andrew Dillon, Dean of the highly-regarded School of Information at the University of Texas and former president of the American Society of Information Technology which is at the center of the electronic archive debate, refused recently even to discuss the issue of the state’s approach to e-archives, which would be tantamount to discussing Perry’s legacy and can still be a touchy subject in Austin. One person who would talk though is Margaret Hedstrom, a professor at the University of Michigan’s School of Information and whose theoretical work on electronic records was cited by the Texas State Archives as background to the state's own approach to the Perry papers. 

She’s gung ho for digital. 

“There are trade-offs between physical and digital preservation and different risks involved. The technologies and methodologies of digital preservation are evolving rapidly and improving greatly in terms of performance. One can make a complete replica of a digital archive at very low cost,” she wrote in a recent email. “I don’t think that the risks to transparency are related to the form of the documents,” she added, an opinion echoed by State Archivist Chubb, who noted that Texas was behind other states in digitalization until the Perry initiative and that fears about transparency shouldn’t hinder going forward. 

“Possible implications for transparency,” Professor Hedstrom continued, include that “it might be easier to delete or destroy digital records—inadvertently or intentionally, but systems can be designed to make it harder to do that with digital records than with paper.” She said she does not understand how the State of Texas can justify becoming more restrictive about open records than in the past, however. “Some people have argued that with all the pressure for open records, officials just resort to back rooms, phone conversations, and off the record comments. This argument has been around at least since the post-Watergate reforms, and it would be worth analyzing in terms of behavior.” Spoken like a true scientist, in this case an information scientist. The State Archives are actually already processing open records requests for the Perry archives and, as a kind of experiment, a recent response to a request for disclosure is instructive. The request for any email sent by Perry in his last month in office yielded zero—nada—nichts—not a single fucking line or word. A second test was even more revealing: No Perry email from the three months prior to moving out of the Mansion—an archive official said that the former governor’s assistants were quizzed about possible missing messages and the response was that Perry “very seldom used” email. NINO, in other words, nothing-in, nothing-out, believe what you will. 

A year or so ago Texas Tribune reporter Reeve Hamilton somehow got his hands on a Perry email message during the governor’s epic struggle with the University of Texas but don’t expect you’ll find anything similar in what Rick Perry has turned over to the State Archives as he rides off into the sunset. The issues are different regarding the Perry archives today than they were during W’s departure from the Mansion but can generally be filed under the same heading, “Transparency.” W didn’t have to scrub his records because he thought he was taking them with him and he would control access. He didn’t have to decide what to scan or get rid of because there was no cloud at the time. He didn’t have an email account when he was in Austin, per archivists, but also the concerns of the state’s records keepers themselves were different back in that day. At the time of the battle for W’s papers which was won by the public, by the way, archivists were already saying the war was lost. Perry was in office for a year or two at that point and it had been State Archives policy up until then that any retired document that arrived for safekeeping was automatically open to public inspection. The powers-that-be were different then and prior openness had been enforced largely by one man, former Texas A.G. and now senior U.S. Senator, John Cornyn, a Bush ally who nonetheless ruled that the papers were not W’s to control. Cornyn moved on and so did disclosure practice. There have been ups and downs since then but the direction has been mostly down. A lot of people are responsible including a lazy public but if you had to name only two individuals, they would be the incumbent governor and the immediate past occupant of that office. If you had to blame only one person it would be the former AG who is now the new governor, Greg Abbott.

Interesting to note that Republicans, who claim to distrust government most, have been most to blame for the abuse of transparency in Austin on a state government level, apparently simply because they are the party in power. It’s actually a bipartisan issue. Locally, the Democratic-controlled Austin city government is the biggest perp—especially regaarding withheld email, and local Democratic prosecutors have repeatedly ignored the bad practice. The University of Texas at Austin whose leadership claims to be liberal and enlightened is another prominent wrongdoer on the open records front. It's possible to conceive of the same result at the Capitol, if the parties were reversed, Democrats hiding records and Republicans howling. To understand how much the pendulum has swung away from transparency, whatever the party in power, consider capital punishment. State law originally enshrined 75 years as the period of time that medical documents related to an execution would remain closed. But last year Attorney General Greg Abbott decided, after a request for an opinion by the State Archives, that a potentially revealing aspect of the rush to execute in Texas—the reports of psychiatrists employed by the state, doctors of death as they are called—will be kept closed even after 75 years, as the dead men's personal health information, even though these patients, after getting the ultimate cure by the state, are long past caring about the confidentiality of their health records. The present issue is email. It’s never in the interests of a leader to be too open about anything in writing, either before or after leaving office. In the case of Rick Perry for example, who wants to be President, anything good to say about his actions in the Governor’s Mansion was probably publicized by his press people at the time. All that remains in the files now is potentially risky business. 

Nonetheless, a game-changer has suddenly appeared in the transparency debate. He’s a former sinner—a former miscreant of public policy who has probably done the most in recent years to undermine Texas’s record of open government. His online handle is “GA,” like his predecessor's “RP,” and he just released his first email messages from office. In that alone he’s taken a big step away from his predecessor and his own past. 


  To be thrown under the bus by history has a certain cachet—what the French call a certain je-ne-sais-quoi—like being on the first airplane to crash or having a deck-class seat on the Titanic. Misfortune can be fortunate if it makes you special or if you’re being bent over for a good cause. Unfortunately in this instance being the subject of uncomplimentary email by the Office of the Governor of Texas the prestige is nothing like falling at the Alamo, a fate that many diehard Texans might actually enjoy, but probably better than being swept out to see by a hurricane in the Gulf. Being run over in Austin, as a new governor tries to get ahead of his policy curve, may still be worth a footnote in the Handbook of Texas. People read your name on a historical document and are impressed—for the wrong reason. That's the fate of the Honorable Lois Kolkhorst, member of the Texas Senate. 

Kolkhorst is a Republican first-termer from Brenham where she was a longtime and very popular state rep. It was Sen. Kolkhorst’s bad luck recently to be the only substantive personal subject of an email release by Gov. Abbott, after his first month in office. Although Rick Perry and Greg Abbott were allies, especially the closer they came to the elections last year that saw Perry move out of the Governor’s Mansion and Abbott move in. Texas’s new leader has since made a point of distancing himself from his predecessor on the issue of openness. While seeing a Perry email was like getting a shot of a unicorn, Abbott has made—according to his open records director—only the standard redactions of telephone numbers, social security numbers and email addresses in what’s just been released. The rest is now out there, in the public domain. The result is a couple of hundred pages of messages to and from the new governor showing that the “danger” of open government is not necessarily for those whose email is made public. The messages also do what Gov. Perry could have done for himself, showing a human side of the Big Guy which this release does for Abbott—together with some collateral damage to a third party, dropping a bomb mistakenly, or right on target, little do we know, on the Little Lady from Brenham. 

“You know how Lois Kolkhorst wanted to meet with me,” Gov. Abbott wrote after taking office, as the new legislative session began, “I think about some river related appointments. What if we use this as one of our opportunities to swing by someone’s office? I have some free time tomorrow that I could swing by for an unannounced visit. Of course we would want her to be there.” So wrote the governor on February 8 of this year, a month after former Judge Abbott became Texas’s 48th chief executive. 

On the surface, seems like an innocent enough message, doesn’t it, a simple proposal on the part of the governor to visit the office of a legislator, but there’s a backstory or a couple of backstories that are pertinent. One is alluded to in other email also released that this governor who gets around in a wheelchair needs to show himself to be mobile, active, not isolated in his Capitol offices by a physical challenge. Abbott only “came out” really in his gubernatorial campaign, or so it is said, embracing publicly his use of a wheelchair so to speak which, surprise, humanized him for many voters. So, like, if only for that reason swinging by Sen. Kolkhorst’s office was important. So far so good, still pretty much ordinary legislative business. Then, enter his aides who discussed the idea. They did what aides are supposed to do post-Machiavelli, tell a powerful leader what the consequences really are of even the smallest gestures in a big important state like Texas. Someone on Abbott’s staff mentions that Kolkhorst who faced a Tea Party candidate in a nasty and expensive special election already owes the governor a lot for his support, so maybe if he’s going to visit anyone he should go see someone whom he needs something from, not someone who’s indebted to him. A personal visit from the governor to a senator’s office is obviously a plum so the deliberations were about “swinging by” somebody else—which is how the system of favor works, and it's kind of cool actually. And “swinging by” a Democrat (Laredo’s Judith Zaffirini) to make an appearance of bipartisanship which is also how the system works. 

Governor Abbott himself is silent at this part of the deliberations and there are just ruminations by staff. But there’s a further clue to the importance of the exchange when an aide mentions that the appointments the senator wants made, to a river authority, are intended to help rice farmers in Kolkhorst’s district who use a lot of water and are in jeopardy of losing rights to the wet stuff in dry times. 

Next somebody drops the D-bomb on the lady, “d” as in “difficult,” in fact “notoriously difficult,” talking about the senator’s personality. That’s when it really gets interesting. A man calling a powerful woman “notoriously difficult” is pretty charged language today. The same thing has been said in fact of the Democratic senator whom Gov. Abbott was also going to visit, Judith Zaffirini, that she’s “difficult,” and probably said at one time or another of most women in power. If you want to disrespect a man you can just say he’s a jerk or an asshole, or more recently a douche—as in douche bag, origin unknown in this context—and if he has reached a certain level of influence or prestige you can say he has been corrupted by power, but the “difficult” part is excused or excusable because guys are allowed to be difficult but not women who must remain agreeable and, on some level, pleasant. That has been the rule. Women are “difficult” first, probably somewhere lower on the problematic scale than guys, maybe even “notoriously difficult” and only then, but a lot sooner than male colleagues, “corrupted by power.” Bitch usually makes a few appearances too in conversational descriptions of the lady.

Accepting labels like these is one of the few fast tracks for women on the road to the top. Why Abbott’s email dump is important is not for the messages themselves or the disparaging portrait of a state lawmaker, whether true or not—and apparently the description is at least partly true. Lois Kolkhorst's manner has evolved the longer she’s been in office and frankly she’s begun to piss off people from both parties or at least that’s what the guys say. The release of information is important because of public policy. It’s why transparency matters and why what we didn’t get from Rick Perry in office and are almost certainly not going to get from his collected papers now, scanned to the cloud or on hard copy. It’s history, “living history,” as Hillary Clinton calls it in her book, and she should know since she’s considered difficult too. 

One of the most detailed messages released from the new governor’s office is from Abbott’s advisor, former Bush family consigliere David Carney who appears to be the most frequent correspondent of the new Big Man in the state. Carney hits all the major points in explaining why Senator Kolkhorst’s office is the wrong venue for the governor’s premier visit to a legislator's office in the Capitol. In fact he pretty neatly rips her a new one: “First of all, I think it’s a great idea for you to start going to see Members in their offices,” Carney tells the governor, doing what advisors do, hitting the bottom line pretty hard. “As RA [Deputy Chief of Staff Robert Allen] said, anytime you can be seen moving around the Capitol, it’s a good thing. My only reservation with pulling the trigger tomorrow is that it’s Kolkhorst. No Senator owes you more than her, so we already have some political capital with Kolkhorst. She’s also notoriously difficult, so I’d like to get Luis’ [appointments director Luis Saenz] meeting with her over with, and figure out her agenda before we send you into a meeting with her. So, while I love this idea and am all for you going to Members’ offices my recommendation would be for us to wait for the next legislator meeting request before we pull the trigger on this initiative.” With these few sentences Mr. Carney has actually already pulled a trigger—on the senator in question.

When Lois Kolkhorst was a state representative she was unbeatable. Even Democrats say that the “Lady from Brenham” could do no wrong in her home district, centered in Washington County, between Austin and Houston. In recent years Democrats believe she’s gone from being a fiscal conservative who was open-minded on social issues to being hard right on almost all issues including women’s health, although as one prominent D in her district mentioned, even on social issues she may have swung right because that’s what Washington County voters really want.

Representing District 13 for 14 years her most important business constituency was probably Blue Bell Creameries, a large employer, like the state mental institution in Brenham whose water she also carried, understandably. It's her constituency. As senator she’s now playing in a whole different ballgame, in a whole different league, with different rules and different scoring. Her senatorial district goes all the way from Central Texas to the Gulf Coast. It’s a hard to remain a “local girl” in a political subdivision bigger than some countries. The rice farmers who were mentioned by the governor’s staff were already very demanding and are now more so—a very strong lobbying group, as is anyone who works the land in Texas—and they’re involved in a long-running and sometimes bitter struggle with the City of Austin for water, an issue that grows in importance every day. To set the scene. Both the city and the farmers are customers of the legendary Lower Colorado River Authority that is responsible for doling out limited supplies during what may soon be the drought of record in Texas. 

Lois Kolkhorst has found herself in the middle of two of the biggest traditional fights in the state: urban interests (Austin) versus rural (farmers)—and water. It’s either an opportunity for her or a potentially career-ending policy hole. The governor’s invitation to “swing by” Kolkhorst’s office also helps explain the description of her as difficult. Even before her victory in the Senate race she appeared before the LCRA board, which the governor appoints, in other words these are his people, in late 2013, and according to male sources “stormed out” of the meeting because she wasn’t getting what she wanted for rice growers. Last year she is said to have had another Bad Girl performance at the state environmental commission which must approve any changes by LCRA to the system of water allocation and presently considers farmer’s crops secondary in importance to people's drinking needs. She wants the governor, in other words, to make appointments to the LCRA board who will be more receptive to agriculture interests than to the urban water needs of LCRA’s biggest customer, the City of Austin, also known as the Live Music Capital of the World. 

For simplicity’s sake LCRA’s membership can be divided into “upstream” clients like Austin, generally favoring urban water needs and electricity generation, and downstream folks who include rice farmers and some possible environmental interests around Matagorda Bay, including crabbers. To be unkind it’s the Hill Country against the flatlanders. Kolkhorst represents the latter. In this context “difficult” is in the eye of the beholder. In all fairness to the governor’s staff even before the email Kolkhorst already "had a reputation," in other words being demanding, much as a powerful male officeholder might have a reputation for wanting things his way. But if she’s more difficult now it may be because she’s in a more difficult position. 

Her senatorial district goes way beyond Brenham where she grew up and is known and loved and now includes even more farmers and also suburban Houston where she faces the real risk of having her right flank attacked as weak by an opponent, a la the Tea Party that she already tangled with. For the present Lois Kolkhorst is trying to make one important constituency happy. She submitted a bill this session to “study” restructuring the LCRA board, as one City of Austin representative put it, “to turn LCRA into an agricultural authority,” or more aptly, a river authority with an agricultural majority. If you remember your U.S. history back in the day when President Franklin Roosevelt was faced with an uncooperative Supreme Court he simply expanded the size of the court from 7 to 9 seats, the two new ones filled with his own men, in order to get a majority. That’s what Sen. Kolkhorst is trying to do too. In any case, with a little background that’s what the governor’s email tells us. Water is a critical issue and transparency is important to understanding it: important not just because a legislator got dissed by the governor’s staff, which is still pretty juicy, let's be honest here, but because of public policy too, you know, what they're all there for in the first place, good governance. In only a handful of messages by the governor and his staff we have the State of Texas encapsulated: Democrats vs. Republicans, rural versus urban, “upstream” versus “downstream,” water, power—both political and energy-producing. And now powerful women who are not yet powerful enough to get what they want as much as guys. Lois Kolkhorst got bent over in the process of providing us focus but that’s life at the Capitol, not for the faint-hearted. That’s what disclosure gives the public, an insight into how government really works, thanks to Greg Abbott. And that’s, incidentally, what Rick Perry doesn’t want you to know about his archives from office. Among Abbott’s released messages is one in which former Gov. Perry’s seven-day email retention schedule is criticized in contrast to the brand-new thirty-day retention system for his successor. This change was occurring, it’s important to note, before Hillary Clinton got in email trouble and before the Associated Press and Washington Post went off on the current White House’s obsessive image control policies that don’t let much light shine on the Obama administration, either. “Any nod toward more transparency is appreciated by the press,” the new governor wrote. “We’ve said nothing about it and this is the first I’ve heard about it [apparently referring to his own 30-day retention schedule.] It seems like a way to get a positive story if we can call a reporter about it.”

The biggest single issue discussed in the Abbott email drop is actually how to channel public interest from American Sniper Chris Kyle’s memorial as a Texan. Page after page of messages—which point to the role of symbols and symbolism in a politician’s life and especially in Texas which has such rich mythology and ritual. There was no legislation really involved, nothing Abbott needed to “do” except honor Kyle and his wife as the movie made great box office, and for the governor this meant a speech which brings to the forefront another difference between Rick Perry and Greg Abbott: Perry was very much a governor for whom his physical image was important while Abbott is more about words. He’s a writer in fact, as are most judges and former judges who have crafted opinions. There’s something almost charming about Abbott’s vulnerability as he hands in an overly-long American Sniper speech and fears that a lot of people are about to take turns cutting it. (There’s also some interesting input from his speech coach, one Sarah Gershman of D.C., about how to modulate his voice when giving another important talk, apparently after she has listened to a recording of him practicing it: “You can be a little angrier in the transportation section,” she tells him. “’To allow open carry’ could be a little louder,” and “Loud for ‘we will secure our border.’”) 

One of Rick Perry’s greatest strengths as governor, in contrast, was obviously his image in person and on screen. He looked the part. You may recall a female Democratic senator’s comment a few years ago that Perry looks good in jeans. People who claim to be in a position to know also say he packs a big pistol—he’s a Big Man in every sense of the word, in a macho state, part of his image being his sexual presence and power, standing tall and all that, that's why he’s going visual in his archives. Those qualities translate well. But even though Rick Perry's message as governor was always clear he wasn’t always articulate voicing it. You could turn off the sound on a Perry press conference and come away with pretty much the same message just watching his facial expressions and body language, really it’s hard to remember anything memorable he said in office except maybe his most famous line, “Adios, mofo,” to a television news crew a few years ago. An equally revealing commentary was unleashed on a state trooper who made a traffic stop on Perry’s car when he was lieutenant governor, although it’s unlikely either of those utterances will end up in his proposed online archive. Perry is a man of few words, at least publicly. Words are mostly what Abbott is about. That makes seeing his email even more crucial. 

But how transparent Greg Abbott really is, well, that’s open to debate. Gov. Abbott has developed some pretty effective defense mechanisms as a politician. For example he thinks twice—or his people think twice for him—about going to a legislator’s office where there might be danger lurking. Just ask Lois Kolkhorst.

One theory put forward by Kolkhorst’s supporters is that the new governor can be just as calculating as Rick Perry ever was, that, in fact, it was no accident her name came up as part of the first substantive email drop by a Texas leader. “Some in state government have tried to spread misinformation about Senator Kolkhorst in the recent senate election and they were discredited,” said one of her principal defenders. This theory suggests something like campaign dirty tricks but calls to mind the CIA more than the Tea Party. Suppose the email drop, despite the Governor’s Office claim, is not complete. Suppose in fact Greg Abbott is not telling the whole truth about how transparent he has been—all due respect to the governor. That is equally likely. He may not have included, for example, every single email he sent or those sent or received on a private account which is impossible to judge since his email address was redacted in the public release. Suppose the messages he wrote were culled for the most favorable or, equally likely, the least damaging, and those were set aside to be given out in response to an open records request? If you’re a governor’s aide, who do you chose to bend over? The calculus would probably be pretty similar to deciding whose office to—or not to—visit. If Sen. Kolkhorst owes the governor something, as Abbott’s aides believe, and if she has been “difficult” in the past, well, why not her? After pushing her under the wheels of the bus, after all, the governor can still be the first responder, the first person to come to her rescue. He can eventually appoint whom she wants to the LCRA board and screw Democratic-controlled Austin in the process, or even sign her bill reforming the LCRA. Although that’s no certainty. Austin has a $100 billion economy now and those tech companies in town use a lot of water too. The old conservative agricultural interests the Republicans have traditionally bowed to may have less influence for the majority party in a high-tech world. 

Rick Perry didn’t choose fake openness that he could exploit, either. Still, an archive that is visual like a film or an extended video of the The Man from Paint Creek if done properly can offset any potential downside. Or at least that’s the former governor’s apparent calculus. Key to that strategy is the cloud and Preservica software rented by the State of Texas from a British company at a cool 40K a year that will allow the Perry e-archive to be queried by users online. According to State Archivist Chubb when the system is up and running in a year or two, “You can be sitting at home and say, ‘I wonder what, for example, [Perry chief of staff] Kathy Walt was doing on, say, April 2, 2003?” and Preservica will query the e-archive and, depending on what was input, answer with documents or film or whatever. Just don’t expect email. State archivists say that a search of Perry’s records for the last months of his administration, for instance, revealed only two email messages by Ms. Walt, one concerning a thank you proclamation for a couple of the governor’s longtime bodyguards and another about the retirement of a longtime state bureaucrat, a cache that is hardly representative of the work of the chief of staff of a big state. NINO, in other words. LCRA, where Kathy Walt coincidentally worked as an $18,000 a month lobbyist, in between her stints running Gov. Perry’s office, said it has more email from her but is trying to avoid release and is also resisting release of email by LCRA General Manager Phil Wilson who was one of Gov. Perry’s secretaries of state and is still his BFF, allegedly. Regarding the absence of email in Perry’s archive the word “scrubbed” comes to mind but, if true, Rick Perry is not the only one who’s guilty of violating the Public Information Act. In fact, if you’re breaking the Texas Public Information Act, just take a number and stand in line. You have company.

Perhaps the most egregious example of a disclosure violation in the capital city actually comes from local government, specifically some of the same people who have been most critical of Rick Perry’s administration and his record on transparency. Several months ago the City of Austin, which bills itself as “The City Too Laidback to Hate,” but which has suddenly found itself in the spotlight for massive income inequality, relentless gentrification and a police force that has an unnerving habit of killing unarmed black people, City Hall came up with yet another bad idea. The city decided to institute a Gold Card for library borrowers, purchasable for a few hundred dollars, that would give those wealthy enough to pay for special access first dibs on new books and library services. Presumably the next step would have been concierge police services or deluxe EMS, a wide range of enhanced city services at a price. When an open records request was made for email related to the plan, the city attorney reported back that there were “no responsive documents.” But the very same Texas State Library, that is handling the governor's archives, had email from the city officials in which the City of Austin first broached the idea of the Gold Card to the state and was warned by the State Library that Texas regs require all borrowers to be treated equally and any effort to sell "better" municipal service to the wealthy would result in the Austin Public Library losing accreditation and, thus, losing prestige and grant money. Travis County prosecutors, informed of the city’s “missing” email, were first breathing hard and looking predatory but then quietly swept the matter under the rug even though the city had also recently been busted cheating on the Open Meetings Act. The reason is that the prosecutors in Austin are Democrats, as was the entire city council at the time, and indicting D’s in a Republican-dominated state is considered hunting an endangered species.

Most of the time the violation is less blatant. A recent request sent to new Attorney General Paxton for old Attorney General Abbott’s email, from Abbott’s last months in office, revealed one message from the old AG about a speech he was writing, and a handful of weekly email updates to staff that read like campaign brochures, a kind of spam to all his employees that a lot of public employees endure about what a great job the boss is doing. That’s it. It’s helpful to note just how reluctant state officials are to give up their email even if it’s the law and, specifically, one with criminal penalties. Like, dude, nobody is worried because there's no enforcement and no risk. President-designate of the University of Texas Greg Fenves just replied to an open records request that he has no email from 2014 (while serving as UT’s number two, the provost) in which race or discrimination are mentioned. Let’s consider that response for a moment. How likely is it that the number two official of the second most important public university in the United States did not mention race on campus in a society in which race is on everyone’s lips everyday, with education second only to law enforcement as a racial theme? Please. A second request to Dr. Fenves for all his email for the first few months of this year was answered by UT’s lawyers as being unnecessarily vague. What’s not to understand about “all”? The university eventually altered its response and said there were actually race-related emails that “were initially overlooked during a recent software migration,” and asked, if UT provided those missing email messages, could the university skip the request for Fenves’ electronic correspondence for the year?

 Another example is more telling: The latest Bush to enter Texas politics, Land Commissioner George P. Bush just responded to a request for his General Land Office email by releasing messages about the formation of the GLO softball team. But for everything more substantial he asked the attorney general to permit him to deny disclosure. This was coming, of course, at a very sensitive time for Commissioner Bush as he fired the Daughters of the Republic of Texas from management of the Alamo and accepted the donation of rocker Phil Collins’ collection of Alamo artifacts. To set the scene. Which was privately concerning to state officials because they were unsure of the provenance of Collins’ gifts. It seems that some of the Collins artifacts are believed to have once been owned by the State of Texas and officials have asked quietly, well, like, what’s up with that? “As a state agency,” said a high-ranking General Land Office official who works directly for Commissioner Bush, discussing a worry about the possible traffic in Texas artifacts that you won’t see mentioned in Bush email unless the AG forces his hand, which is not likely, “there are some things that we might need to know where they came from better than a private collector in Switzerland.” Indeed, it is the issue of artifacts and gifts that may yet cause Rick Perry his first archive-related headaches.  If you go to the State Archives, for the payment of three dollars you can get a CD listing all the gifts that George W. Bush received in six years in the Governor’s Mansion. There are something like 5400 entries, everything from books, flags, T-shirts, jewelry, non-alcoholic beer (the born-again W was a teetotaler), the gift-givers including everyone from political guru Karl Rove to singer Lyle Lovett and foreign ambassadors. W donated some, consumed some, returned some, and threw out other stuff. He also shredded some literature he was given, reason unknown. Some gifts went to the State of Texas.

Rick Perry was in office for fourteen years and a labor-intensive search has just yielded, per Gov. Abbott’s office, a list half as long as W’s and with no dispositions of the gifts. 

“We have not received any gifts or artifacts from Gov. Perry’s office,” says Laura Saegert, assistant director of State Archives, adding for the public’s edification, “The Perry records are stored in the downtown archives building in Austin and also at our State Records Center in Austin. The e-records are stored at the State Data Center, on a secure server,” awaiting transfer to Amazon’s cloud. The only mention of physical Perry artifacts of office was last year, during the discussion between then governor’s office staff and the State Archives, according to notes of the meeting, as preparations were made to pass ownership to the state: “[Perry’s lawyer Justin Gordon] reported the Governor’s Office’s having certain 3-dimensional objects like boxes of wire hangers (some with paper messages attached, some without) and crocheted female body parts. He asked if they would have archival value, and whether the GO should transfer them. The State Archives staff said that yes, they may have archival value, and they should be transferred.” Those particular artifacts, apparently souvenirs of the anti-abortion debate, did not survive the trip of 200 feet from the Governor’s Office to the State Archives. So, like, once again, what’s up with that? 

There’s good, bad and a lot of ugly on the transparency front at the Capitol today. What arrives at the State Archives is no longer by default an open record and while that may not be related to the format of the records themselves, paper versus electronic, the fact that Governor Perry’s staff went through all his documentation while preparing transfer to the cloud, scanning some of the paper and by their own admission disposing of some, wiping computer memories, whatever. That makes a perfect opportunity to lose anything inconvenient—anything for example that doesn’t fit the screenplay for the movie Rick Perry wants produced. A recent meeting of the Texas State Library and Archives Commission delineates exactly where the state has arrived in terms of openness. This is the same state board that tangled with Gov. Bush over his papers, and won, but has no apparent interest in a fight with James R. “Rick” Perry.

At their meeting in February members referenced their disagreement with President Bush, which the Commission won, actually, and then asked staff how Perry’s choice of the State Archives as repository rather than an educational institution like A&M would affect the handling of the ex-governor’s papers. Ms. Chubb explained to the board that if Governor Perry had chosen a university, the State Archives would have had legal authority over the documents but no actual control, as is pretty much the case with the Bush archive at Southern Methodist University in Dallas. “We would have the legal responsibility for the records but we would not have any control over what software solution they would have used,” she added, because the software is now the key to practically any modern record keeping.

 Asked if the handling of the Perry papers would be better than the Bush outcome, which required nine years of work to classify a six-year governorship, she added: “Without a doubt. That is because the [Perry papers] are our legal responsibility but also in our physical custody, therefore we can actually do more of the descriptive work that goes into providing access to them, and we’ll do a very good job of redacting information to make sure that records that are released do not have any confidential information.” At the same meeting the State Archives were named as the division of the Texas State Library at highest-risk for irregularities and as the number one priority of internal auditors this year but it’s unlikely that process will look at what did or did not arrive from Gov. Perry’s office. So, like, it’s not so much openness anymore, at the State Archives, and how to insure that, it’s more about confidentiality, and how to achieve that. Yet there are risks to officeholders whatever the approach, online or on paper. Just as when erasing a computer memory, traces always remain. If you look at Gov. Perry’s much redacted execution file on Cameron Todd Willingham for instance, now available for review at the State Archives reading room, there’s a refusal for a writ of habeas corpus by America’s favorite conservative jurist, Antonin Scalia, and a press release by the then Texas attorney general about the great work his office did fighting appeals to the execution. That AG’s name was Greg Abbott. It seems old records can be risky business indeed. 

In another sheaf of Perry docs from his time in office there’s fleeting mention of a search warrant, apparently served in 2008, for the governor’s open records files, which could also be embarrassing even if nothing was found. State archivists say they cannot locate the warrant itself. Governor Perry’s frequent nemesis Travis County District Attorney Rosemary Lehmberg said in a brief email the other day that her office was not responsible, if the warrant really exists. There should be a pretty large file in the Perry archive on Lehmberg herself, however, and the governor’s efforts to remove her from office but, until Rick Perry’s criminal trial is over, you probably don’t need to bother to ask for that either and perhaps not even after the verdict. It may remain “confidential” under Attorney General Paxton, like much else involving Republicans. Interestingly, according to archivists, now that he is once again an ordinary civilian Mr. Perry has no more rights to his former papers than anyone else. And if you believe that, there's a few acres of pasture land on Congress Avenue for sale. “We need clarification,” state archivists wrote last year, “on what Governor Perry would like scanned to take with him. Certain series of records will contain confidential information. Once Perry leaves office he probably does not have a right of access to those records (executive clemency for example)," which means as a practical matter that anything he did not lose while in office he can’t lose now. Yet the former Big Man still has influence—and friends in high places. Governor Abbott is informed of all open records requests for former Governor Perry’s papers and represents his “interests,” principally maintaining “confidentiality.” One way to reverse engineer the process and dig dirt, if one were of a mind to do something like that, would be to find out what Perry wanted to take with him. But that’s for another day and there actually may be no record of that either. NINO, again.

Eventually, Rick Perry’s archive has the possibility to be a 14-year-long infomercial, a paid political advertisement for his administration or, alternatively, what the former governor might prefer, something out of John Ford and worthy of one of the most dominant leaders to walk the Texas Capitol since Sam Houston. 

Rick Perry is no fool, he’s been a good governor by many standards and certainly a popular one, but how you view what’s online, when it comes online, will depend largely on your view of the Big Man himself. Nothing is black and white anymore, like print on a page, it’s in color like a movie with shades and tones of meaning. We’ll have to wait and see how this one comes out. If you have a chance in the meantime to visit Austin and you find yourself at the corner of Sixth Street and Congress Avenue, as many people do, look north towards the Capitol and on the left side of the street you’ll see a statute of a hefty matron of a certain age firing a cannon. That’s Angelina Eberly who protected the state’s papers the first time this issue arose, during the Archives War, back during the short-lived Republic of Texas. She had a big pair. Sadly for the public’s right to know, no one in this town has big enough huevos to replace her.